Penner Fine Art
  • Home
  • Artist
    • About:
    • DHP Cartouche Painting
  • Artwork
    • Venice
    • Figurative
    • Nature
    • A Time To Remember Series
    • Commissions
    • Photography
    • Other Projects
  • Reproductions
    • Art Cards
    • Limited Edition Prints
  • Travels
    • Torquay~A Seaside Town…
    • Cockington Village
    • Kew, Harrods and Madam Tussauds
    • London ~ the National Gallery
    • Château Versailles
    • Paris…City of Lights
  • Blogs
    • Tawana
    • Intense Inktense
    • The Making of a Painting
    • Making of a Painting 2
    • The Versatile Graphite …
    • Collecting Resource Material
    • The Almighty Pencil…
    • Early Influence and Inspiration…

"D.H. Penner"

Contact…

If you have any inquiries, we may be reached by email at:

pennerfineart@protonmail.com

 

A Note From The Artist…

Even though I hope information in this site will be of interest and benefit to all, please note that materials contained within this site are copyright protected. Any reproduction in whole or in part without the written permission of the artist is prohibited as by law.

Recent Posts

  • Tawana
  • The Extraordinary Life of Dr. Al Oeming
  • Intense Inktense
  • Making of a Painting 2
  • The Making of a Painting
  • Torquay~A Seaside Town…
  • Cockington Village
  • The Versatile Graphite …
  • Kew, Harrods and Madam Tussauds
  • London ~ the National Gallery
  • Collecting Resource Material
  • The Almighty Pencil…
  • Early Influence and Inspiration…
  • Château Versailles
  • Paris…City of Lights
The Versatile Graphite …

… As I have stated before, this long and slender piece of graphite, sometimes wearing a wooden coat – sometimes in its naked form, and I … well …we have had a serious relationship going on for quite some time …

…There is no art instrument that can compare with this little workaholic! … It will transform the invisible “idea world” into visual reality … It works tirelessly with its companion the eraser to work … and rework details, until all is as my mind imagines it … It’s tireless work is also essential for the mastery which needs to be learned for drawing the human figure …

 

… The examples above and below illustrate the preliminary graphite detail and the eventual resulting painting …

… In my early years the drawing of the human figure and in particular “portraiture” would take up hours and hours of my time.  Getting the right proportions and shading would become an obsession.  Perfection is what was sought (a never ending quest!). From well known portraits of the “masters”, or people of fame that I “admired” , to “Vargas” nudes and the sculptures of Michelangelo … all were fair game for the study of this craft. The two illustrations directly below were done on manila paper …

Some of my first drawings were with an HB pencil (below) … I was around 10 years old when I drew these pictures of my favorite rock star… these would have been done on any paper – pilfered from a school classroom or my older sisters stash … Who knows???

… The two below, done on manilla paper, were handed in as “extra work” for my art classes in school (I had trouble doing the “boring” assignments, but handed in scores of extra work) … amazing that these four have managed to survive my many wanderings without being misplaced …

… The graphite pencil isn’t really a very fussy piece of equipment … it will work on all sorts of surfaces and although it may have to work harder on some … it still manages to get the job done, whatever its “masters” whim may be! …

… From the cheapest Manila paper, for rough sketches (as mentioned above), to acid free archival quality, cotton art paper (below left), and even quintessence, a high quality acid free satin finish printing stock, (below right) if you’re adventuresome … There are innumerable selections, qualities and surface textures to choose from and each will produce a different outcome …

… The two illustrations below are on regular surface, 80 lb., archival quality acid free drawing paper …

… And even though this is straying a bit … all of these graphite drawings become a study within themselves, and a wonderful resource of details that may lead to an oil rendition …

Graphite pencils can be used in different ways to achieve the effects you desire.


1) You can use different hardness or softness of the graphite pencil lead to capture the desired light and dark values you are intending to produce or
2) You can use what are called “stumps” and “tortillions” on the soft leads to blend the desired values…or
3) a combinations of the two (which is the method I use)


… If it’s an animal “portrait” I am doing, I mostly use the method 1), with a full range of pencils from softest to hardest … One must also take care and ensure that the graphite remains sharp enough to produce the fine details … The following four illustrations are examples of this detailing …

… There are endless possibilities when it comes to the graphite pencil and its talents – limited only by the depths of your imagination …


  • Share
  • Tweet

My Favorite Quotes

To stop the flow of music would be like the stopping of time itself, incredible and inconceivable.~ Aaron Copland

A picture is a poem without words ~ Horace

A picture paints a thousand words ~ Anon

Without art the crudeness of reality would make the world unbearable ~ George Bernard Shaw

Every artist dips his brush in his own soul, and paints his own nature into his pictures ~ Henry Ward Beecher

The purpose of art is washing the dust of daily life off our souls ~ Pablo Picasso

An artist is not paid for his labor but for his vision ~ James Whistler

Art is the only way to run away without leaving home ~ Twyla Tharp

The world is but a canvas to our imagination ~ Henry David Thoreau

Drawing is the honesty of the art. There is no possibility of cheating. It is either good or bad ~ Salvador Dali

Painting is easy when you don’t know how, but very difficult when you do ~ Edgar Degas

An artist never really finishes his work, he merely abandons it ~ Paul Valery

A man creates with his brains and not with his hands ~ Michelangelo

Color is my day long obsession, joy and torment – Claude Monet









Copyright © 2025 Doreen Penner Bodnar All Rights Reserved